Yeah, okay, in the comedy Dick Dan Hedaya isn't so much playing Richard Nixon as he is the "idea" of Richard Nixon, but his performance is so hilarious it doesn't matter.
Just us, the cameras, and those wonderful people out there in the dark...
Friday, November 9, 2012
Friday's Top 5... Performances as Real-Life Presidents
Yeah, okay, in the comedy Dick Dan Hedaya isn't so much playing Richard Nixon as he is the "idea" of Richard Nixon, but his performance is so hilarious it doesn't matter.
Wednesday, November 7, 2012
Review: 8 1/2 (1963)
Director: Federico Fellini
Starring: Marcello Mastroianni, Anouk Aimee, Sandra Milo, Claudia Cardinale
What's left to say about a film as beloved and influential as Federico Fellini's 8 1/2? Not much, I fear. I can merely affirm its dreamy, sublime greatness. It isn't my favourite Fellini film - that honor goes to La Dolce Vita which, in addition to being a great movie, was the first Fellini film I ever saw and so has a special place in my heart - but it is a great and very entertaining movie. It's easy to see why it influenced so many subsequent films, some of them great in their own right, some of them... not so much.
Tuesday, November 6, 2012
Review: Flight (2012)
Director: Robert Zemeckis
Starring: Denzel Washington, Kelly Reilly, Bruce Greenwood, Don Cheadle
Flight is a film that places itself firmly in a moral gray area. On the one hand, its protagonist, Whip Whitaker (Denzel Washington), is right when he says that he was given a broken plane and that, inebriated or not, no other pilot could have landed it as safely as he did (the question of whether even he would have been bold enough to try what he does had he not been drunk and on drugs remains unspoken). On the other hand, there's really no excuse for being drunk on the job, especially if you're a pilot. Though the film is advertised as a disaster and aftermath drama, it's actually a cerebral addiction drama in which its protagonist tries again and again to justify his actions, until finally getting to the point where he no longer can. It's a film that often descends into inelegant manipulation, but that ultimately succeeds in spite of itself and on the strength of its extraordinary cast.
Labels:
3 stars,
Denzel Washington,
Review,
Robert Zemeckis
Saturday, November 3, 2012
Library Project: October 27 - November 2
My DVD viewing last week wasn't much for quantity, but quality is another matter. Here's what I watched as I continue to work my way through my DVD library:
October 27: Gentleman's Agreement (1947) - A well-meaning drama about bigotry, but one that plays it a little too safe and falls a bit flat. Still, it did manage to win a Best Picture Oscar - which frankly says more about AMPAS than it does about the film itself. Nevertheless, Gregory Peck is always worth watching and is in fine form here.
Friday, November 2, 2012
Friday's Top 5... Denzel Washington Performances
Tom Hanks won the Oscar, but Washington's performance is just as vital to Philadelphia. Playing a homophobic lawyer who takes on a wrongful dismissal case for the money, but slowly comes to see his AIDS striken client as a human being, Washington expertly guides his character through what could be a rote transformation, and makes it something deeper and more profound.
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