Monday, July 24, 2017
Director: Edgar Wright
Starring: Michael Cera, Mary Elizabeth Winstead
Domestic Box Office: $31,524,275
Scott Pilgrim vs. the World is one of those movies that seemingly everyone within a certain age range seems to know, yet judging by its box office only a small fraction of those people actually saw it in theaters. It is the definition of a cult film and I have a hard time believing that it would ever have been anything else. The way it looks, the way it plays, its humor and its references, pretty much everything about it from top to bottom suggests that it was always going to be the kind of movie that people watch at home with a group of friends, possibly while stoned, rather than at the multiplex, so I'm not entirely sure what Universal Pictures was thinking when it put $60 million into making it because there was virtually no way it was going to make that back (and it didn't, even when you factor in its international gross its box office take still falls well short of its production budget). Scott Pilgrim is what it was meant to be - for better and for worse.
Thursday, July 20, 2017
Director: Dennis Dugan
Starring: Adam Sandler, Kevin James
I would like to think that a movie like I Now Pronounce You Chuck & Larry couldn't be made in 2017, but I would have liked to have thought that a movie like this couldn't even have been made in 2007. This movie is vile. There are parts of it that are downright gleefully hateful, and it doesn't particularly matter that it ends by giving a shrug towards tolerance. Once a movie has spent two-thirds of its time positively luxuriating in homophobia, misogyny, and just a little bit of racism, it doesn't get any credit for spending a few minutes giving lip service to the notion that it's not cool to be a bigot. You don't get to throw the word "faggot" around with abandon and then close by casually remarking that people shouldn't use that word. This is one of the grossest movies I've ever seen.
Wednesday, July 19, 2017
Director: Matt Reeves
Starring: Andy Serkis, Woody Harrelson
Humans. We had a good run. We irreparably damaged parts of the planet, we wiped out hundreds of other species, we developed all kinds of inventive ways to destroy each other. You can't say we didn't leave it all on the field. Now it's time to celebrate a new champion and maybe the apes will be able to do it all better. War for the Planet of the Apes, which is the final chapter in this particular part of the Apes series (though almost certainly not the final Planet of the Apes movie), finds humanity on the brink, not yet ready to give up even though the writing is so clearly on the wall. It's a mournful film, probably not the sort of thing that immediately comes to mind when one thinks of a summer entertainment, and one which unlike its two immediate predecessors does not feel the need to find any good in humans, but it's the film that it needs to be. It's a good movie and a grand spectacle and if the powers that be intend to keep it up, then I can't wait to see where the series goes from here.
Tuesday, July 18, 2017
Director: Michael Showalter
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano
If The Big Sick is to be considered a romantic comedy (and I'm not entirely sure it should be, given that the genre is built on the interplay of a central couple, and one half of this film's couple spends the better part of the film out of commission), then it's an entry in the genre that has a more expansive set of interests than most of its brethren. It's not just a story about a boy and a girl who fall in love, but a story about cultural conflict, generational conflict, and questions of identity played out against the backdrop of a love story. It works well, aided in no small part by a lived-in feeling that comes from the fact the star/co-writer Kumail Nanjiani and co-writer Emily V. Gordon (married in real life) have mixed autobiographical elements into it. It's one of the best reviewed films of the year so far and though I'm not quite as high on it as many others, for reasons that I'll get into, I still think it's a really good film.
Monday, July 17, 2017
Director: Chris Columbus
Starring: Adam Sandler, Kevin James
Domestic Box Office: $78,747,585
Although Adam Sandler has never been a staple summer movie season - for a long time he was the sort of star who could open a film at any time of the year, so if you look at the release pattern of his films you'll see that his hits have been made in pretty much every season at the box office - when he did make a summer movie, his vehicles were pretty reliable money makers. Between 1999 and 2010 he had 8 summer releases, 7 of which met the $100 million benchmark and most of which exceeded it. The only outlier in that period was 2009's Funny People, whose $50 million gross foretold the drop that Sandler's films were about to take. Since 2010, the only $100 million summer movie Sandler has released has been Grown Ups 2 (perhaps not coincidentally, it's also the only live-action sequel he's ever done), while the rest of his summer movies have been failures of greater and lesser proportions: That's My Boy in 2012, Blended in 2014, and Pixels in 2015. Now, That's My Boy and Blended I've looked at previously in this series and they are both terrible and utterly deserving of failure. But Pixels? I'm actually not so sure.