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Showing posts with label Chris Pine. Show all posts
Showing posts with label Chris Pine. Show all posts

Tuesday, November 13, 2018

Review: Outlaw King (2018)

* * *

Director: David Mackenzie
Starring: Chris Pine

Generally speaking, when a movie premieres and the only thing people are discussing is the star's nude scene, that's a bad sign. It usually means that there's nothing else that's particularly interesting about the finished project, and when the critical reception is mixed (in the case of this film, to the tune of a 56 on Rotten Tomatoes and a 60 on Metacritic) that only reinforces that idea. In the case of Outlaw King, a historical drama about Robert the Bruce, the salacious bent of the coverage and the lack of enthusiasm from critics doesn't really do the film justice. As far as the much discussed nude scene goes, I doubt people would even give it a second thought if it had been done by an actor less famous than Chris Pine or an actress of any level of fame (and, in fact, Pine's co-star Florence Pugh also has a nude scene in the movie, and one in which the camera lingers on her nudity much more than it does on Pine, but female nudity is so de rigueur in film that it doesn't even seem noteworthy). As far as its poor critical reception, well, it's not a masterpiece but it's a perfectly serviceable movie of the "Important Man Did Important Thing" variety and shouldn't be written off as nothing more than Braveheart-lite.

Wednesday, June 7, 2017

Review: Wonder Woman (2017)

* * * 1/2

Director: Patty Jenkins
Starring: Gal Gadot, Chris Pine

Twice in Wonder Woman the point is made that it isn't a question of "deserve." To that end, I'm not sure if this is a film that the world of today deserves, but I think it's one that the world of today needs. That might sound hyperbolic, it's just a movie after all, but a movie is rarely ever "just" a movie and the messaging of this one feels particularly urgent right now. It's not the gender issue of this being a film with a female lead or in this being a major blockbuster release directed by a woman that makes it so, nor is it the inherent relief in there finally being an unqualified success in the DC shared universe (if only to stop some of the repetitive debate about DC vs. Marvel). The issue and the message is more expansive than that, more inclusive, and deeply humane. It's not about deserve. It's about what you believe.

Wednesday, September 21, 2016

Review: Hell or High Water (2016)

* * * 1/2

Director: David Mackenzie
Starring: Jeff Bridges, Chris Pine, Ben Foster

"We rob banks." Amazing how a movie set during the Great Depression and one set during the present day can paint such similar pictures of an area economically sucked dry and abandoned and a whole population of people who, for generations, have been stuck in a cycle of poverty because the system is rigged to ensure that they always get the worst of it when corporate greed grinds everything to a halt. It's enough to make you sympathize with and fall on the side of the bank robbers, except that Hell or High Water's grizzled, mustachioed lawman is played by Jeff Bridges, putting its bank robbing brothers at a disadvantage compared to Bonnie and Clyde. A hard edged crime movie that grabs you right from its beautifully executed opening shot and doesn't let go until the closing credits, Hell or High Water is one of the year's great thrill rides.

Tuesday, March 24, 2015

Netflix Recommends... This Means War (2012)

* *

Director: McG
Starring: Reese Witherspoon, Tom Hardy, Chris Pine

Recommended to me based on my having watched Warrior, which also starred Tom Hardy so at least there's some scrap of reasoning behind it. Because I remembered how poorly This Means War was received when it was released in 2012, my expectations for this movie were extremely low but, much to my surprise, I actually sort of enjoyed it. It's not a good movie by any means - it's ridiculous, all over the place, and parts of it are extremely problematic (more on that later), but it's also weirdly fascinating with respect to its not at all subtle gay subtext. Seriously, This Means War is rivaled only by Top Gun in the "they have to be doing this on purpose" department. It's amazing, and it's pretty much the only reason to see this one, unless you're just curious to see Tom Hardy in his least "Tom Hardy-like" role.