Just us, the cameras, and those wonderful people out there in the dark...
Showing posts with label Antonio Banderas. Show all posts
Showing posts with label Antonio Banderas. Show all posts

Tuesday, May 8, 2012

Review: Haywire (2012)

* * *

Director: Steven Soderbergh
Starring: Gina Carano, Ewan McGregor, Channing Tatum, Michael Douglas, Antonio Banderas, Michael Fassbender

When Steven Soderbergh announced last year that he planned to retire after making three more films (which, for most directors, would mean retiring in 6 to 10 years, but for Soderbergh would mean retirement within, like, a year), it was shocking but, at the same time, made a certain amount of sense. It's shocking because he's still in his prime and he's such a consistently interesting and excellent filmmaker, but it makes sense because there are few achievements he has left to meet. He has an Oscar, has proved to be ambitious in both large-scale (the Che films) and smaller scale films, has had films that were huge commercial successes, and has made personal, experimental indies, and he's been ridiculously prolific (24 films in 23 years). Soderbergh is an artist with nothing left to prove, which is why he can turn his attention to making delightful genre pictures like Haywire without having to worry that his legacy will in any way be tarnished because he's not making "important" movies.

Monday, March 19, 2012

Review: Puss In Boots (2011)

* * *

Director: Chris Miller
Starring: Antonio Banderas, Salma Hayek, Zach Galifinakis

After four films the Shrek franchise may have run out of steam, but luckily there was some life left in one of the series' break out characters, the eponymous swashbuckling cat. A delightful if thematically slight film, Puss In Boots is a terrific addition to the much-loved franchise.

Tuesday, November 29, 2011

Review: The Skin I Live In (2011)

* * *

Director: Pedro Almodovar
Starring: Antonio Banderas, Elena Anaya

Pedro Almodovar is very good at what he does; I'd say that he's one of the most consistently excellent filmmakers working today. With The Skin I Live In he takes the admirable step of trying to branch out from familiar territory, but steps a little too tentatively and falls back a little too readily on those familiar tropes and techniques. It's still a good and often fascinating film (and beautiful looking even at its ugliest moments), but it's not quite everything that it could be.