Review: Roma (2018)

* * * *
Director: Alfonso Cuaron
Starring: Yalitza Aparicio, Marina de Tavira

Alfonso Cuaron's last film, 2013's Gravity, was a cinematic experience that captured the vastness of space while telling what is, ultimately, an intimate story about a woman working through her grief. His latest film, Roma, is a story told on a small scale that suggests the great, wide world going on around it (and, while Gravity was a film that practically demanded to be seen on as big a screen as possible, Roma, which has been released in theaters and Netflix simultaneously, is intimate enough that it's impact isn't lessened by watching in on a smaller screen). Though he's made only five films in the last seventeen years including this one (the others being Y Tu Mama Tambien, Harry Potter and the Prisoner of Azkaban, Children of Men, and Gravity), Cuaron is one of the most reliably great filmmakers working today and Roma makes a strong case for being his best film to date.

Review: Gravity (2013)

* * * *
Director: Alfonso Cuaron
Starring: Sandra Bullock, George Clooney

I don't like 3D. I've said so before and I'm saying it again, and the reason I don't like it is because 99% of the films released in that format have absolutely no business being 3D, their sole purpose in using the technology being to pad box office receipts. Alfonso Cuaron's Gravity is a film that belongs in the 1%, a masterwork that uses the technology as it should be used, creating new cinematic vistas and giving the audience something it's never seen before. But the film is not just a technological achievement. It has a strong, well-told story, great performances, and thematic depth that will make it compelling in 2D as well but, man, do yourself a favor and see it at least once in 3D.